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这一节我们跟大家分享的是



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加手势双人舞的三动要领



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哪三动呢



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第一 叫生动 



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第二 叫联动



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第三 叫先动



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我们先来说什么叫生动



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生动也就是你加的动作



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一定要符合生活当中的规律



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是从生活当中提炼出来的



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不能够违背生活当中的规律



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我们先看一个腾讯的



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马化腾的视频



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梦想是希望能够成为一个



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最大最成功的一个开放平台



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那么所以我想要实现这个目标



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我们有几方面的一个思考



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刚才看的这个视频



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应该说马化腾在演讲的时候



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已经经过了一些初步的



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动作的训练



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敢于加手势



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但是有一个问题



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他的手势比较单调



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只是一个手在动



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那么这个就不太符合生活当中



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我们做动作的规律



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生活当中动作如果生动形象



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第一 一定是两个手动



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而不能够单手动



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另外动的时候



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动作一定要丰富形象



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生活当中是怎么样的



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我们的动作就要把它做成



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怎么样的



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比方说 前排的同学请坐下



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后排的同学请站起来



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那么这个它就是符合生活规律的



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叫生动



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如果这样做 前排的同学请坐下



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后排的同学请站起来



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这个符合不符合生活呢



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是不符合生活的



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那么刚才马化腾老是用一个手做



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这个也是不太符合



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生活当中的规律



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没有把生活千差万别的那些形象



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通过我们的双手



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把它生动形象的表达出来



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这就是我们第一要生动



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那么第二要联动



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什么叫联动呢



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就是动作做完了上一个动作



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不要马上收回来又做



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不能够第一 第二 第三



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为什么不能够这样做呢



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我们再来看一个视频



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看了很多的书籍



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包括一些口才的书籍 



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演讲的书籍



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它们都告诉我们所有的朋友



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在演说的时候



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一定要与听众进行互动



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是还是不是



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非常好 我们朋友都知道



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刚才看的这个视频呢



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她的动作就是属于这种太频繁



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没有连起来动



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是做完一个就放下来



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做完一个就收回来



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再做一个再收回来



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这样就显得这个起起落落



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举举动动非常的频繁



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对她的讲话内容反而形成了



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一种干扰 一种比较单调



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造成这样一种印象



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那么我们的连动是什么



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就是做完一个动作紧接着下一个



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不要收回来



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你看成功就像一个气球



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你要想让这个气球又大又圆



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就一定要一直不停的吹气



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一旦你停止了吹气



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那么这个气球它就会慢慢的撒气



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直到把气撒光



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我不知道大家有没有注意到



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我的动作是不是做完上一个动作



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就停在原地



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紧接着连下一个动作了



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这样做出来的动作



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就显得是行云流水



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再看 成功 不动



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然后连着下一个动作



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就像一个气球



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如果你想让这个气球又大又圆



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就一定要一直不停的吹气



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所以这种联动



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你的动作才会显得比较连贯



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和内容结合的比较紧密



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这是第二点要联动



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那么第三点叫先动



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什么叫先动



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大家来看



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今天我通过三定的练习



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我的收获是胆



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不知道大家有没有注意到



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我说胆的时候是这样做的吗



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胆 这是错误的



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应该是 胆 



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这就叫先动



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你看手势举到这儿往下落的时候



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再说这个胆字



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然后他俩同时在这个点上



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就定下来了



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那么为什么要先做手势后出声



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大家说声音和手势动作



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谁的速度更快



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应该是声音的速度快



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也就是声音先到达这一句话



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最后的这个点



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所以我们就应该先做动作



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在动作先做然后落点的时候



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嘴和动作保持一致性



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所以这就叫要先动



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比方说什么叫三乐呢



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你看是不是先做了动作



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什么叫三乐呢



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就第一乐叫自得其乐



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这第二乐叫知足常乐



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这样的都是动作在先



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这样就显得有条不紊



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两个语言和动作才能够整齐划一



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以上就跟大家分享了



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双人舞的三个要领



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第一 是要生动



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就是动作从生活中来



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第二 是联动



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动作上一个动作不要放下来



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而是上一个动作接着下一个动作



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第三 叫先动



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就是手势在先语言在后



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两个人保持落点一致



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那么以上我们就跟大家



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具体分享了双人舞练习的内容



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那么在这里



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也要跟大家交代一下



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我们双人舞的练习



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一定要区分不同的场合



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因为我在做培训讲课的时候



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经常会有学员同学会问



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他说 老师



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那我们是不是学的双人舞



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任何时候都要加动作加手势呢



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我说这也是不对的



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要具体情况具体分析



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具体场合具体运用



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那么为什么要学手势



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因为第一现在绝大部分同学



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在讲话的时候是没有手势



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没有感情的



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针对大家普遍性的毛病



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我们通过加上手势



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让大家肢体语言丰富



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同时带动你的口头语言的



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生动形象



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这是第一点



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那么第二点



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通过加上手势的这种练习



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我们自己能够区分什么场合运用



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什么场合不能够运用



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什么场合能够运用



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也就是轻松的 自如的



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比较放松的 欢乐的 幽默的场合



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我们就要多用手势



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而那些比较庄重



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比较严肃的场合



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就不太适合用手势



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我们学会了手势 艺不压身



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就像宝剑一样插在自己的腰间



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需要的时候马上拔剑而出



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我们学会加手势也是这样



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学会了加手势在需要的场合



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我们马上能够加上手势



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而在那些庄重的场合



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我们要根据现场的要求



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不加手势 区别对待



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以上我们把双人舞练情法



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就跟大家分享完了



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最后再给大家布置一下



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练习的作业



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因为只有通过练习



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才能够形成肌肉的记忆



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对于平时讲话没有感情的同学



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就练习速度 力量 激情



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六个字 每天练习100遍



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加上动作 用悄悄话



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速度 力量 激情



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然后21天之后



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你的讲话就会



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不由自主的加动作



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变成肌肉的记忆



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讲话也会有了抑扬顿挫



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第二个练习是练形



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就是平时讲话不够生动 



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不够形象



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不擅于把生活当中生动的形象



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搬到自己的讲话当中的这些同学



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就练芝麻这么小 西瓜这么大



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每天练习50遍



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芝麻这么小 西瓜这么大



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既练手势 又练表情



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天天坚持练习



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最后形成肌肉记忆



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你的眼神 你的面部表情和手势



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就会非常自如 



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非常生动的做出来



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那么第三是练条理



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就是练三乐说



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什么叫三乐呢



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这第一乐叫自得其乐



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这第二乐叫知足常乐



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这第三乐叫助人为乐



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这个练习是对那些讲话没有条理



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逻辑比较混乱



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别人听不清楚



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你讲的什么内容的同学



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可以重点练习三乐说



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好 



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最后我们再重复一遍那两句话



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简单练到极致就是绝招



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天才就是重复最多的人